Copy Control is the generic name of a copy protection system, used from 2001 until 2006 on several digital audio disc releases by EMI and Sony BMG Music Entertainment in several regions (Europe, Canada, United States, and Australia). It should not be mixed up with the CopyControl computer software copy protection system introduced by Microcosm Ltd in 1989.

Several types of protection existed. While basically intended as a means of copy-protecting compact discs, Copy Control discs can't properly be referred to as CDs as the system introduces incompatible data, making the discs non-compliant with the Red Book standard for audio CDs. The system is intended to prevent digital audio extraction ("ripping") from the protected discs, andthereforelimit the file sharing of ripped music. The techniques used are:

Multisession (Blue Book) information is included which effectively hides the audio tracks from most CD-ROM drives;

Error-correction codes for the audio data are corrupted, which may introduce audible errors to ripped copies.

The data area of the disc typically includes DRM-restricted copies of the audio content, which are incompatible with some operating systems.

In the Netherlands, the record labels Sony and Universal experimented with copy control until 2004. EMI kept using it until June 2006, when they dropped it.

In the United States, Universal Music Group experimented with copy control on a few soundtracks in 2001 and 2002, but abandoned it afterwards; Warner Music Group has only used it in Europe on such releases as Red Hot Chili Peppers' Greatest Hits. As of September 2006, Cactus Data Shield, the Macrovision technology behind Copy Control, is no longer listed as a product on Macrovision's website and has completely been abandoned in such countries as Australia.

A December 2006 issue of Billboard magazine announced that EMI had decided to abandon Copy Control worldwide. Until then, it had been unclear whether EMI had completely abandoned it. There was no press release.

Background

The Copy Control protections were devised in response to the file sharing and casual CD copying that has become commonplace in recent years, allegedly causing the music industry significant lost, or "ungained" revenues. Neither issue was particularly relevant when the CD standard was introduced in the early 1980s, andtherefore, unlike the more recent DVDs, the CD standard specifies no inherent form of copy protection or other digital rights management. Copy Control is one of a number of attempts to apply copy protection on top of the CD standard, but since it is merely a modification of the already unrestricted standard which must still yield usable results in most CD players, the efficiency of the system varies significantly.The CDDA logo, absent from Copy Control releases

As the Copy Control discs do not conform to the requirements of the CD standard, they are not labeled with the CDDA logo, which is trademarked by Philips. A Copy Control "CD" which would not play in a car CD player was deemed "defective" in a French 2003 lawsuit, and every recent Copy Control released disc carry visible Copy Control notices stating merely compatibility with CDs and the possibility of playback problems "on some equipment, for example car CD players." Nevertheless, the discs are frequently referred to as CDs or "copy-protected CDs" in music stores and in colloquial language.

Circumvention

A Copy Control disc will appear as a mixed-mode disc, with audio and data content. Under Windows, inserting the disc will typically autorun an audio player utility, which plays the DRM-protected audio files provided. (This can be temporarily disabled by holding down the shift key while inserting the disc, or by disabling autorun altogether.)

The ability to extract the CD-Audio tracks is otherwise largely dependent on the disc drive used. The first obstacle is the "fake" Table of Contents (ToC), which is intended to mask the audio tracks from CD-ROM drives. On the other hand, CD-R/RW drives, and similar, can typically access all session data on a disc, andthereforecan properly read the audio segment. (It has been reported that the fake ToC may also be bypassed by obscuring the outer 2-4 mm of the disc with a temporary felt-tip marker. This method, however, may no longer be effective due to advances in Copy Control technology.)

The other major obstacle is the incompatible (and technically corrupted) error-correction data. Again, the effect of this is dependent on the disc drive; some drives will be able to read the data without problems, but others will produce audio files with loud pops every few seconds. (A related problem is that such discs will probably not be as resistant to scratching.)

Copy Control also does not prevent copying a disc by recording it as audio through a computer's sound card, which only causes a slight degradation in audio quality, or none in the case where a digital link is used. More substantial is the loss in recording speed. This poses a major problem to the music industry, due to the fact that many "pirates" rip protected CD audio in this way.

Usually a CD-R/RW drive will play the disc but with occasional stops (about every 10 seconds) and DVD-R/RW drives will be able to read the data without problems and can be ripped straight to the PC. CD-ROM or DVD-ROM drives in a computer will typically refuse to play the data except in the provided player.

Systems other than Windows, however, can easily play Copy Control discs, with the disc appearing as two entities, "Audio CD" and whatever the data portion of the disc was named in manufacture. As the bundled players are typically Windows Proprietary, and, similarly, the auto-launchers are designed for Windows, there is little that can be done to stop a non-Windows user from ripping a Copy Control disc (though, arguably, the process may take longer).

In Linux, Copy Control discs are easily accessed through cdparanoia or KDE "audiocd:/" service.

In Mac OS X, these discs are easily accessed through iTunes and Quicktime (When a CDDA track is dragged to a folder other than the CD, Quicktime automatically converts it to AIFF, which is a lossless PCM format). Though some Copy Control discs do have Mac OS software, this is becoming less common.

This technology is becoming easier to get around as more advances are made in modern technology, today new PCs can rip Copy Control discs simply the same way other non copy protected discs are ripped, further making this technology obsolete.

Content on the CD extra

CDS-100 or CDS-200A player and a media file database (a copy of the audio contents in Windows Media). The player will only play the audio contents in the media file database.
CDS-300A player and the anti-copy program only. The player can ignore the anti-copy program to read the audio tracks. The player allow users to play the tracks, rip the audio tracks as DRM-enabled WMA files and burn CD for 3 times (The player will rip the CD as 320 kbit/s WMA files, then burn the audio on a CD-R, notice that the volume is lower and the quality is worse on the burned CD)